Original Painting "Untitled –Navajo Man" [R]

After coming to New Mexico in 1899 to convalesce from pneumonia, Gerald Cassidy fell in love with the Southwest. He devoted the rest of his career to painting the landscapes and inhabitants of New Mexico. He lived and worked in Santa Fe, devoting his energy to capturing the unique qualities of New Mexico. He was especially intrigued by the Native People. This painting is an excellent example of Cassidy’s ability to capture the strength and wisdom of an unknown Navajo chief with the use of bold brushstrokes of watercolor. It is exquisitely executed. Cassidy used color simply, yet with passionate strength, managing with a minimum of brushstrokes to create a powerful image.

The painting was purchased in 1942 by Elizabeth DeHuff directly from Gerald Cassidy. It was a gift for her daughter, Frances DeHuff. Elizabeth DeHuff ran an art program at the Santa Fe Indian School. DeHuff and her husband came to the Indian School in 1918. There she encouraged students such as Fred Kabotie to paint by providing them with supplies.

In addition to the bold, yet classic rendition of Cassidy’s portrait of a Navajo, this painting has been framed in a style that could only be New Mexican. The original frame is an exceptional tin frame made by Ildeberto “Eddie” Delgado (1883-1973) at a shop at 503 Canyon Road that was opened by his father, Francisco Delgado. Both Eddie and his father were well known tinsmiths and both worked extensively during the WPA period. A number of examples of Eddie’s work are still in use today. They can be seen at the Albuquerque Little Theatre, the Roswell Federal Art Center and the National Park Service building in Santa Fe.

The painting is still in the original tin frame, but a modern wood frame has been added, which could be removed if someone wished.

This piece should be considered extraordinary for three reasons: first the fine watercolor by Cassidy, secondly the tinwork by Delgado and finally the fact it was purchased by one of the most innovative and influential teachers of Native Americans in the early 20^th Century.

Recommended Reading:

Sin Nombre: Hispana & Hispano Artists of the New Deal Era, by Tey Marianna Nunn. 2001. University of New Mexico Press. Albuquerque.