Original Painting of a Pueblo Ram Dancer by Golden Dawn [SOLD]

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Pablita Velarde, Santa Clara Pueblo Painter

Pueblo dances are a lure for visitors to the Southwest. One must remember that these are not performed to entertain the visitors but are performed because they are a part of a religious ceremony. The Pueblo Indian feels he is an important part of nature and the universe and that he must be in balance with nature and the universe. Ceremonial dances are part of achieving that balance. Such dances always have a purpose, a function, whether it be for rain, snow, game animals, crops or other good things in life.  Animal Dances are performed during the winter when game animals are needed for food. The primary purpose is the attraction of animals to the village and for the increase in population of all animals. Dancers do not wear masks, as Katsinas do, but wear headdresses representing the animal being performed. Deer, buffalo, antelope, elk, and mountain sheep may all be represented in a single dance.  Every item of the dance attire has a special significance. Spruce or fir twigs symbolize longevity and everlasting life. Men wear moccasins ornamented with black and white skunk fir to repel evil spirits from the feet of the dancers. Their kilts and sashes are decorated with sacred symbols in colored embroidery or brocade. The long flowing tassels of the sash represent the gentle falling rain.  Pablita Velarde was well familiar with dance costume details and she was careful to portray dancers with accurate clothing. Her paintings are ethnographically important as well as artistically important. She has provided us with a detailed representation of pueblo dancers of her time.  This painting of a Mountain Sheep or Ram Dancer is signed in lower right and dated 1994.  It is matted with a silk fabric and framed in a silver toned frame.  Condition: appears to be in original condition.  Provenance:  from the personal collection of Marcella J. Ruch, author of the book Pablita Velarde: Painting Her People.  The book was published in 2001.  The author had interviewed and collaborated with Pablita Velarde for a decade before publication.  This painting was acquired during that time.  Recommended Reading:  Pablita Velarde: Painting Her People by Marcella J. Ruch Pueblo dances are a lure for visitors to the Southwest. One must remember that these are not performed to entertain the visitors but are performed because they are a part of a religious ceremony. The Pueblo Indian feels he is an important part of nature and the universe and that he must be in balance with nature and the universe. Ceremonial dances are part of achieving that balance. Such dances always have a purpose, a function, whether it be for rain, snow, game animals, crops or other good things in life.

 

Animal Dances are performed during the winter when game animals are needed for food. The primary purpose is the attraction of animals to the village and for the increase in population of all animals. Dancers do not wear masks, as Katsinas do, but wear headdresses representing the animal being performed. Deer, buffalo, antelope, elk, and mountain sheep may all be represented in a single dance.

 

Every item of the dance attire has a special significance. Spruce or fir twigs symbolize longevity and everlasting life. Men wear moccasins ornamented with black and white skunk fir to repel evil spirits from the feet of the dancers. Their kilts and sashes are decorated with sacred symbols in colored embroidery or brocade. The long flowing tassels of the sash represent the gentle falling rain.

 

Pablita Velarde was well familiar with dance costume details and she was careful to portray dancers with accurate clothing. Her paintings are ethnographically important as well as artistically important. She has provided us with a detailed representation of pueblo dancers of her time.

 

This painting of a Mountain Sheep or Ram Dancer is signed in lower right and dated 1994.  It is matted with a silk fabric and framed in a silver toned frame.

Pablita Velarde Tse Tsan Golden Dawn Fine Art Native American Paintings Painting Santa Clara Pueblo signature

Condition: appears to be in original condition.

 

Provenance:  from the personal collection of Marcella J. Ruch, author of the book Pablita Velarde: Painting Her People.  The book was published in 2001.  The author had interviewed and collaborated with Pablita Velarde for a decade before publication.  This painting was acquired during that time.

 

Recommended ReadingPablita Velarde: Painting Her People by Marcella J. Ruch

 

 

Pablita Velarde, Santa Clara Pueblo Painter
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