Special Value Offer: San Ildefonso Pueblo Black-on-red Olla without Lid [SOLD]

Special Value Offer: The consignor has suggested a price reduction from the current price of $4500 to a new price of $3500.

San Ildefonso pottery retained its traditional Tewa shape in the late 19th and early 20th centuries more so than the other Tewa pueblos, due primarily to its more isolated location than the others, according to Jonathan Batkin. There were so few potters at the pueblo at that time that tradition remained strong.

According to Francis Harlow, Black-on-red pottery at San Ildefonso was an innovation that started after 1880. Red slip had been used on Tewa pottery since the middle of the seventeenth century but rarely decorated with black painted designs.

It is believed that Tesuque Pueblo developed the idea of black-painted designs on red slip as early as 1830 and it is likely that most of the Tewa Black-on-red jars originated at Tesuque.  It is known, however, that San Ildefonso also produced them.

The first potter identified as specializing in Black-on-red pottery at San Ildefonso is Dominguita Pino (1860-1948), whose daughter, Tonita Roybal (1892-1945), carried on her mother's legacy.  It is known that Martina Vigil (1856-1916) and her husband Florentino Montoya (1858-1918) also made San Ildefonso Black-on-red pottery. According to Batkin, who conducted a thorough survey of turn-of-the-century census records, there were only 8 potters at San Ildefonso Pueblo listed as such by the census taker.

The eight potters were probably Martina Vigil, Maria Martinez, Maximiliana Montoya, Nicolasa Peña, Marianita Roybal, Tonita Peña, Susana Aguilar and Dominguita Pino. All of them are believed to have produced San Ildefonso Black-on-red pottery style.

This jar was most likely made sometime around 1900-1910.  At one time in the past, it had a pottery lid as evidenced by an inner rim on which a lid would have rested.  The lid is no longer with the jar.  Also, it is conceivable that the jar could have originated at Tesuque Pueblo, but we believe it is from San Ildefonso.

Condition: very good condition with the expected wear pattern of older jars

Provenance: from a gentleman from New Mexico

Recommended Reading: Two Hundred Years of Historic Pueblo Pottery: The Gallegos Collection by Francis H. Harlow