Large Black-on-black Pottery Vase with Feather Design signed Maria & Santana

Maria & Santana Black-on-black Jar: A Legacy in Transition

This magnificent blackware jar represents a critical transition period in the career of the celebrated San Ildefonso Pueblo artist, Maria Martinez (Poveka, 1887-1980). The jar is co-signed Maria + Santana, a specific and rare signature variant that precisely dates its creation to between 1954 and 1956.

The shift from the earlier signature "Marie & Santana" (used since Maria began working with her daughter-in-law, Santana, around 1943) to "Maria & Santana" marks a significant moment. Maria began using her true given name, Maria, rather than the Anglicized "Marie". This change was largely spurred by the publication of Alice Marriott's influential 1945 book, Maria: The Potter of San Ildefonso. (Spivey, 2003:165)

Made late in Maria's long career, this vase showcases the height of perfection achieved by the collaborative Martinez family workshop: The jar's impeccable shape and magnificent burnishing — likely performed by Maria's sister, Clara Montoya, who was renowned for her polishing skill — demonstrate unparalleled technical mastery. The shine, achieved solely by stone-polishing before firing, is flawless.

The painted eagle feather design is equally flawless, executed by Maria's daughter-in-law, Santana Martinez (1909-2002). The design and the polished background utilize the Black-on-black technique, creating a stunning matte and glossy contrast.

Maria Martinez (the matriarch) is arguably the most famous of all Pueblo potters. Her renown rests on her mastery of technique and her innovation. Along with her late husband, Julian Martinez, Maria perfected the Black-on-black pottery technique in 1918. They dedicated the rest of their careers to perfecting and producing this distinctive ware, making it world-famous and bringing international attention to San Ildefonso Pueblo artistry.

Santana Martinez (the designer), though best known for her collaboration with Maria, came from her own long line of artistic talent: Her lineage included her grandmother, Dominguita Pino Martinez (a famous potter), and her brother, Awa Tsireh (a highly respected painter).

This vase is not just an object; it is a historical work of art that captures the legacy of the Martinez family, showcasing the moment a celebrated artist finally embraced her true name.

Condition: excellent original condition

Provenance: this Large Black-on-black Pottery Vase with Feather Design signed Maria & Santana is from the estate of the client to whom we sold this in 1999

Reference and Recommended Reading: The Legacy of Maria Poveka Martinez by Richard Spivey

TAGS: Julian Martinez, Mimbres, Maria, pottery, Santana, Southwest Indian Pottery, San Ildefonso Pueblo, Contemporary Pottery