J. D. Roybal San Ildefonso Pueblo Massive Dance Scene

J.D. Roybal's  Masterwork of 37 Figures

In this breathtaking ceremonial Corn Dance procession, José Disiderio "J. D." Roybal (Oquwa) demonstrates why he remains one of the most celebrated names in San Ildefonso art. While Roybal was a prolific creator of single-figure studies, this expansive composition is a rare technical triumph, featuring an astonishing 37 individual figures in a singular, harmonious narrative.

A close inspection reveals the "razor-thin" precision that defined Roybal's late-career genius. Every figure is a masterclass in detail. Each dancer is rendered with meticulous outlines and subtle shading, capturing the intricate textures of traditional textiles and ceremonial paraphernalia.

Unlike the "flat style" works of his contemporaries, Roybal places this scene within a rich, storied environment. Behind the procession stands a traditional kiva with its ladder reaching toward a clear sky, while multi-storied adobe homes, clouds, and a vibrant rainbow frame the horizon.

Atop the kiva, three Koosa Clowns take a moment of "lazy" repose, their drums set aside as they gather strength for the next movement of the dance: a charming, humanizing detail that adds depth to the scene.

The main event occupies the foreground, anchored by a stylized, stepped geometric ground plane rather than literal earth. Led by a flag bearer and a Koosa Clown, the dancers move in pairs with a rhythmic, forward-leaning grace. In a touching display of cultural continuity, young boys and girls follow at the tail end of the group, symbolizing the passing of traditions to the next generation.

The nephew of the legendary Awa Tsireh, J.D. Roybal was a standard-bearer for the San Ildefonso style. As noted by scholar Clara Lee Tanner in Southwest Indian Painting, Roybal's work is characterized by a "pleasing combination of heavy conventional themes with realistic subjects." This 1976 work represents the artist at the absolute peak of his productivity and skill.

The painting reflects the signature and date in the lower right.  It is framed in a gold colored frame under a single beige mat. The original painting from which this print was made is dated 1976.

Condition: appears to be in good condition but has not been examined out of the frame.

Provenance: this J. D. Roybal San Ildefonso Pueblo Massive Dance Scene is from a client of Adobe Gallery

Recommended Reading: Clara Lee Tanner.  Southwest Indian Painting: a Changing Art

TAGS: San Ildefonso Pueblo, Tonita and Juan Cruz Roybal, Alfonso Roybal - Awa Tsireh, Native American Painting, J.D. Roybal, Katsina Dolls